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Andrzej Nizankowski»
Pawel Sieprawski»
Władysław z Gielnowa»
Marcin Paligon»
Marcin Wartecki»
Stanisław Grochowski»
Andrzej Gałka»
Wladyslaw Gielniowa»
Jakub Lubelczyk»
Wincety z Kielczy»
Seweryn Kon»
Tomasz Szadek»
Marcin Leopolita»
Adam z Wągrowca»
Diomedes Cato»
Jan Kochanowski»
Bartłomiej Pękiel»
Sebastian z Felsztyna»
Marcin Mielczewski»
Agnieszka Obst-Chwala»
Mikołaj z Ostroroga»
Wojciech Długoraj»
Wacław of Szamotuły»
Franciszek Lilius»
Krzysztof Borek»
Jan Podbielski»
Cyprian Bazylik»
Jakub Polak»
Andrzej Rohaczewski»
Damian Stachowicz»
Stanisław Sylwester Szarzyński»
Andrzej Trzecieski»
Jacek Szczurowski»
Nicolaus Cracoviensis»
Piotr Drusinski»
Grzegorz Gerwazy Gorczycki»
Mikołaj Zieleński»
Adam Jarzębski»
Mikołaj z Krakowa»
Krzysztof Klabon»
Piotr z Grudziądza»
Jakub Sowa»
Mikołaj Gomółka»
Antoni Milwid»
Jerzy Liban»
Jan z Lublina»
Maciej Wronowicz»
Mikołaj Rej»
Mikołaj z Radomia»
choral»
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anglican liturgy»
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orthodox chant»
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german renaissance»
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madrigal»
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renaissance»
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victorian britain»
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melbourne bounce international»
melbourne bounce»
jumpstyle»
cantaditas»
hard bass»
psybreaks»
deep discofox»
partyschlager»
breakbeat»
jump up»
tekno»
hardcore breaks»
hip house»
ragga jungle»
makina»
bass house»
jungle»
deep vocal house»
italo dance»
eurodance»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,366 genre-shaped distinctions by Spotify as of 2021-04-16. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
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