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Wladyslaw Gielniowa»
Pawel Sieprawski»
Marcin Paligon»
Stanisław Grochowski»
Jakub Lubelczyk»
Andrzej Gałka»
Władysław z Gielnowa»
Marcin Wartecki»
Wincety z Kielczy»
Andrzej Nizankowski»
Seweryn Kon»
Tomasz Szadek»
Marcin Leopolita»
Adam z Wągrowca»
Diomedes Cato»
Jan Kochanowski»
Sebastian z Felsztyna»
Marcin Mielczewski»
Agnieszka Obst-Chwala»
Mikołaj z Ostroroga»
Wojciech Długoraj»
Jan z Lublina»
Wacław of Szamotuły»
Franciszek Lilius»
Adam Jarzębski»
Krzysztof Borek»
Jan Podbielski»
Cyprian Bazylik»
Jakub Polak»
Andrzej Rohaczewski»
Damian Stachowicz»
Stanisław Sylwester Szarzyński»
Andrzej Trzecieski»
Jacek Szczurowski»
Nicolaus Cracoviensis»
Piotr Drusinski»
Grzegorz Gerwazy Gorczycki»
Mikołaj Zieleński»
Mikołaj z Krakowa»
Krzysztof Klabon»
Piotr z Grudziądza»
Bartłomiej Pękiel»
Jakub Sowa»
Antoni Milwid»
Jerzy Liban»
Mikołaj Gomółka»
Maciej Wronowicz»
Mikołaj Rej»
Mikołaj z Radomia»
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hard bass»
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jump up»
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eurodance»
ragga jungle»
melbourne bounce international»
makina»
jumpstyle»
bass house»
tekno»
italo dance»
psybreaks»
speed garage»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,510 genre-shaped distinctions by Spotify as of 2021-08-03. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
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