Every Noise at Once · polish contemporary classical   scan   list   playlist   new
Jagoda Szmytka»
Paulina Załubska»
Krzysztof Meyer»
Paweł Szymanski»
Wojciech Widłak»
Zbigniew Karkowski»
Tadeusz Dixa»
Henryk Górecki»
Jerzy Bauer»
Włodzimierz Kotoński»
Boleslaw Szabelski»
Elżbieta Sikora»
Stanisław Moryto»
Aleksander Nowak»
Paweł Łukaszewski»
Andrzej Dobrowolski»
Krzysztof Knittel»
Adam Witkowski»
Zbigniew Preisner»
Krzesimir Dębski»
Bronislaw Kazimierz Przybylski»
Krzysztof Baculewski»
Marta Ptaszynska»
Witold Lutosławski»
Krzysztof Penderecki»
Marcin Stańczyk»
Andrzej Krzanowski»
Roman Haubenstock-Ramati»
Andrzej Dutkiewicz»
Eugenius Knapik»
Adam Falkiewicz»
Paweł Mykietyn»
Wojciech Ziemowit Zych»
Aleksander Lason»
Mateusz Ryczek»
Marcel Chyrzyński»
Michal Dobrzynski»
Pawel Hendrich»
Hanna Kulenty»
Wojciech Kilar»
Roman Maciejewski»
Joanna Wozny»
Stefan Kisielewski»
Bettina Skrzypczak»
Andrzej Nikodemowicz»
Maciej Jablonski»
Wojciech Blecharz»
Stanislaw Bromboszcz»
Weronika Ratusinska»
Dariusz Przybylski»
Józef Swider»
Grazyna Pstrokonska-Nawratil»
Joanna Bruzdowicz»
Roman Palester»
Aleksandra Gryka»
Witold Szalonek»
Mikolaj Palosz»
Milosz Bembinow»
Marian Borkowski»
Martyna Kosecka»
Zbigniew Bargielski»
Agnieszka Stulginska»
Zbigniew Bujarski»
Tadeusz Wielecki»
Tomasz Skweres»
Marek Jasinski»
Andrzej Panufnik»
Slawomir Zamuszko»
Marcin Gumiela»
Kazimierz Serocki»
Andrzej Dziadek»
Aleksander Kosciow»
Anna Ignatowicz-Glinska»
Klaudia Pasternak»
Michal Moc»
Andrzej Koszewski»
Leszek Kułakowski»
Marian Sawa»
Tadeusz Baird»
Pawet Szymanski»
Andrzej Chorosiński»
Zygmunt Krauze»
Romuald Twardowski»
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discofox»
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indonesian viral pop»
bubblegum dance»
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bajan soca»
cantaditas»
hard bass»
hip house»
spanish electropop»
mahraganat»
swedish eurodance»
ragga jungle»
deep discofox»
partyschlager»
deep vocal house»
italo dance»
eurodance»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,895 genre-shaped distinctions by Spotify as of 2022-05-28. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
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