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Trippekulam Achuthan Marar»
Chottanikkara Narayana Marar»
Chatur Lal»
Vadyyakulapathi Cheranellur Shankarankutti»
Pugatri Divagara Pooduval»
Chottanikara Surendran»
Peruvanam Satheesan Maarar»
Master Vyas»
Bangalore Muniratnam»
Allarakha»
Pambai Udukkai Group»
Manikka Vinayagam»
A. Kiran Kumar»
Bickram Ghosh»
T.A.S. Mani»
Zakir Hussain»
Palghat T.S.Mani Iyer»
Valayappatti A. R. Subramaniam»
Pandit Dulal Roy»
T.H. Vinayakram»
Palghat Mani Iyer»
Umayalpuram K. Sivaraman»
Kanai Dutta»
Kishan Maharaj»
Trichy Sankaran»
Sivaraman»
Ashutosh K. Upadhyay»
Kombath Kuttan Paniker»
H. P. Ramamurthy»
Kamalesh Maitra»
Ravishankar Upadhyay»
Mattannoor Sankarankutty»
Thetakudi Harihara Vinayakram»
Pallavur Appu Marar»
The Karnataka College Of Percussion»
V. Nagarajan»
Perumanam Kuttan Marar and Party»
Balakumar Paramalingam»
Rohan Krishnamurthy»
A.R.Subramaniam & Valayapatti»
Milind Tulankar»
Pandit Sharda Sahai»
T S Nandakumar»
Bhavani Shankar»
E. M. Subramanyam»
Anindo Chatterjee»
K. Shruthi Raj»
Swapan Chaudhuri»
T.A. Kaliyamurthy»
Anayampatti S.Ganesan»
Seeta Doraiswamy»
P.S. Devarajan»
Ghatam Karthick»
Karaikudi Mani»
Shini»
Suresh Vaidyanathan»
Arjun Shejwal»
Peruvanam Kuttan Marar»
Nemani Somayajulu»
Ujjwal Kumar»
Anoor Ananthakrishnan»
Anayampatti S. Ganesh»
Muttu Kumaram»
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@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,987 genre-shaped distinctions by Spotify as of 2022-11-29. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.