Every Noise at Once · early american folk   scan   list   playlist   intro   pulse   new
Albert Pike»
David McCullough»
The Abyssinian Baptist Church Sanctuary Choir»
97th Regimental String Band»
Matthew Sabatella and the Rambling String Band»
Paul Roebling»
Jon English, Rob Carriker, Marlborough Singers & Marlborough Chamber Players»
Jerry Silverman and The Harvesters»
Timothy Seaman»
Jay Ungar»
Barry Phillips and Friends»
Anne Enslow»
Jay Ungar And Molly Mason»
David Hildebrand»
2nd South Carolina String Band»
Jim Taylor»
Anne Enslow & Ridley Enslow»
The Itinerant Band»
The Civil War Players»
The Colonial Williamsburg Governor's Musick»
The Union Confederacy»
Diane Taraz»
Continental Harmony Singers»
Arthur F. Schrader»
Early Music New York - Frederick Renz, Director»
Hesperus Early Music Ensemble»
Jaqueline Schwab»
William Coulter & Barry Phillips»
Covered Bridge Music»
Tracy Smith»
Shelley Phillips»
David & Ginger Hildebrand»
Eight Hand String Band»
Deby Benton Grosjean»
Susquehanna Travellers»
Jim's Red Pants»
Wayne Erbsen»
Bobby Horton»
David and Ginger Hildebrand»
Jim Taylor And Friends»
Irish Volunteers Civil War Band»
Neal Hellman And His Friends»
Jerry Bryant»
Camp Lincoln String Band»
David Kincaid»
Saxton's Cornet Band»
Bittersweet and Briers»
Baltimore Consort»
The Old Bethpage Brass Band»
John Colby»
Cliff Halsam and John Millar»
Pete Seeger and Bill MacAdoo»
The New American Brass Band»
Jed Marum»
Virginia Company»
early american folk»
northumbrian folk»
central asian folk»
thai instrumental»
traditional british folk»
traditional english folk»
brazilian jazz»
cambodian traditional»
ethiopian traditional»
mountain dulcimer»
yunnan traditional»
vietnamese traditional»
neo-industrial rock»
industrial hardcore»
future rock»
happy hardcore»
dark electro-industrial»
classic hardstyle»
neue deutsche harte»
euphoric hardstyle»
hardcore techno»
industrial metal»
deep big room»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,351 genre-shaped distinctions by Spotify as of 2021-04-12. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.