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Edward H. Tarr»
Adolf Scherbaum»
Ulrich Hübner»
Thomas Hammes»
Barocktrompeten Ensemble Berlin»
Bernhard Kratzer»
Trompetenconsort Innsbruck»
Trompeten Consort Friedemann Immer»
Seattle Trumpet Consort»
Summit Hill Brass Quintet»
Blechbläserensemble Ludwig Güttler»
Anton Ludwig Pfell»
Freiburger Barocksolisten»
Robert Farley»
Pierre-Yves Madeuf»
R.J. Kelley»
Thomas Reiner»
Schwanthaler Trompetenconsort der Anton Bruckner Privatuniversität Linz»
Jan Linda»
The Prague Brass Soloists»
Dresdner Trompeten Consort»
Don Smithers»
Trompeten Ensemble Pfeiffer»
Crispian Steele-Perkins»
Jean-François Madeuf»
Gabriele Cassone»
Les Chevaliers de Saint Hubert»
Bach-Trompetenensemble München»
Baroque Brass Of London»
Niklas Eklund»
Tibicines & Igino Conforzi»
Kentucky Baroque Trumpets»
Ensemble Arianna»
Friedemann Immer»
John Thiessen»
Joachim Schafer Trumpet Ensemble»
Friedemann Immer Trumpet Consort»
L'Orfeo Blaserensemble»
Heinz Zickler»
The London Gabrieli Brass Ensemble»
Ensemble Eolus»
Ercole Nisini»
Australian Baroque Brass»
The Netherlands Brass Quintet»
Trompetenensemble Ludwig Güttler»
Joachim Schäfer»
Larry Zalkind»
Berlin Baroque Trumpet Ensemble»
Maurice André/Bernard Soustrot/Academy of St Martin-in-the-Fields/Sir Neville Marriner»
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@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,366 genre-shaped distinctions by Spotify as of 2021-04-16. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.