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Jauktais koris Valmiera»
Kamerkoris Austrums»
Talsu evanģēliski luteriskās baznīcas koris»
Frauenchor des Polytechnischen Instituts Tallinn»
Tumes pagasta kultūras nama jauktais koris»
Vīru kamerkoris Frachori»
Tallinn Technical University Female Choir»
LU jauktais koris Juventus»
Vilnius Azuoliukas Boy's Choir»
Estonian TV Girls’ Choir»
Koris Sidrabe»
Jauniešu koris Sonore»
State Academic Male Choir of Estonian SSR»
Jauna Muzika Choir»
Kaunas State Choir»
Estonian Philharmonic Chamber Choir»
Academic Female Choir of the University of Tartu»
Youth Choir "Kamer..."»
Tallinn Senior Music School Chamber Choir»
Vox Clamantis»
Swedbank koris»
Koris "Kamēr..."»
Youth choir BALSIS»
Latvian Radio Choir»
Kammerkoor Head Ööd Vend»
Collegium Consonante»
Collegium Musicale Chamber Choir»
Kamēr Choir»
Schola Cantorum Riga»
Ellerhein Girls' Choir»
Estonian Male Choir RAM»
Chamber Choir Sireen»
Koris Gaudeamus»
Koris Minjona»
LMA studentu koris»
Voces Musicales»
The Chamber Choir Eesti Projekt»
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Noorus Mixed Choir»
Estonian National Male Choir»
Estonian Radio Choir»
Chamber Choir Kamēr...»
Academic Male Choir of Tallinn University of Technology»
Tallinn Boys Choir»
Chamber Choir Versija»
Choeur de garçons de Vilnius Azuoliukas»
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Tallinna Tehnikaülikooli Kammerkoor»
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jackin' house»
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speed garage»
guaracha»
disco house»
italo house»
uk garage»
funky breaks»
hip house»
ragga jungle»
kuduro antigo»
miami bass»
bass house»
indonesian viral pop»
italo dance»
classic house»
garage house»
funky house»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,500 genre-shaped distinctions by Spotify as of 2021-06-24. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.

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