Every Noise at Once · techno kayo   scan   playlist   intro   pulse   edge   new
小池 玉緒»
リーマンズ»
ツービート(ビートたけし)/演奏:東京おとぼけCats»
パッショナータ»
シーナ»
GEISHA GIRLS»
Hajime Tachibana»
Kyoko Koizumi»
Mari Iijima»
Saki Takaoka»
Kenji Endou»
STUDIO MULE»
Akiko Yano»
Hiroko Mita»
コスミック・インベンション»
Yuko Kanai»
Miki Nakatani»
Kumiko Yamashita»
Maki Nomiya»
チャイルズ»
YELLOW MAGIC ORCHESTRA»
Kenji Sawada»
Yu Hayami»
Saeko Suzuki»
Akina Nakamori»
Kenji Omura»
Noriko Miyamoto»
Rumi Shishido»
松谷祐子»
Yoshitaka Minami»
Chiemi Hori»
Ryoko Hirosue»
香坂みゆき»
Yukihiro Takahashi»
Taeko Onuki»
安田成美»
SANDII»
Haruo Chikada»
酒井司優子»
Kiyoshi Maekawa»
Seiko Matsuda»
Seri Ishikawa»
Jun Togawa»
Kanako Wada»
Oshare TV»
TENTENKO»
Yusaku Matsuda»
AYA GLOOMY»
Mari Mizutani»
Imo-Kin Trio»
Mioko Yamaguchi»
bangladeshi indie»
ecuadorian indie»
french indie pop»
belgian pop»
indian folk»
latvian pop»
pony»
lithuanian pop»
japanese new wave»
classic french pop»
german indie pop»
techno kayo»
sophisti-pop»
musica catalana»
japanese city pop»
musica capixaba»
musica roraimense»
korean city pop»
peruvian indie»
classic bulgarian pop»
danish pop rock»
japanese soul»
belarusian pop»
experimental pop»
olympia wa indie»
experimental»
experimental jazz»
rock progresivo mexicano»
zeuhl»
rock in opposition»
freak folk»
rock progressif francais»
french experimental rock»
rock keyboard»
experimental rock»
avant-rock»
washington indie»
sacred steel»
taiwan experimental»
experimental indie rock»
italian progressive rock»
tucson indie»
prog quebec»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,068 genre-shaped distinctions by Spotify as of 2020-11-23. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.