Every Noise at Once · taiwanese pop   scan   playlist   intro   pulse   edge   2019   new
黃永龍»
蔡承融»
陳采捷»
蔡佳瑩»
許寀菁»
葉昇峻»
楊燁承»
王昭人»
莊蕙如 & 劉家妤»
知己合唱團»
許恆嘉»
林偉龍»
陳雪萍»
聽見愛»
麗蓉»
陳建瑋»
林喬安»
陳弈伶»
甘苦人樂團»
邱梓謙»
蔡麗津»
黃鳳儀»
邱廉欽»
Joey Chiang»
楊欣樺»
林俊吉»
陳秋山»
陳有娜»
黃鐙輝»
戴梅君»
陳怡婷»
蔡義德»
袁小迪»
黃文星»
Shallow Levée»
江志豐»
Kid King»
廖士賢»
一綾»
流氓阿德»
王中平»
賴慧如»
陳百潭»
荒山亮»
陳以恆»
蘇振華»
台客電力公司»
Random»
蕭賀碩»
農村武裝青年»
林宗興»
李明洋»
百合花»
WHYNOT»
張涵雅»
李吳兄弟»
country dawn»
british country»
taiwan pop»
indonesian city pop»
japanese singer-songwriter»
mainland chinese pop»
pop quebecois»
classic indo pop»
taiwanese pop»
norwegian pop»
manitoba country»
mandopop»
israeli pop»
trot»
folk-pop»
finnish worship»
hindi worship»
neo mellow»
v-pop»
cantopop»
malaysian mandopop»
rock drums»
brass band»
british industrial»
macedonian indie»
ethio-jazz»
japanese experimental»
abstract beats»
deep jazz fusion»
plunderphonics»
experimental indie»
indie jazz»
afrofuturism»
chinese experimental»
uk contemporary jazz»
japanese jazz fusion»
no wave»
sacred steel»
powwow»
olympia wa indie»
experimental jazz»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 4,402 genre-shaped distinctions by Spotify as of 2020-06-02. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.