Every Noise at Once · taiwanese pop   scan   playlist   intro   pulse   2019   new
黃永龍»
許恆嘉»
陳采捷»
楊燁承»
林偉龍»
蔡承融»
蔡佳瑩»
聽見愛»
莊蕙如 & 劉家妤»
黃鐙輝»
陳雪萍»
許寀菁»
葉昇峻»
王昭人»
知己合唱團»
麗蓉»
袁小迪»
陳建瑋»
林喬安»
陳弈伶»
甘苦人樂團»
邱梓謙»
蔡麗津»
李明洋»
黃鳳儀»
Joey Chiang»
陳怡婷»
林俊吉»
邱廉欽»
陳秋山»
陳有娜»
陳百潭»
戴梅君»
蔡義德»
江志豐»
楊欣樺»
黃文星»
蕭賀碩»
荒山亮»
李吳兄弟»
廖士賢»
王中平»
台客電力公司»
Kid King»
流氓阿德»
陳以恆»
Shallow Levée»
蘇振華»
Random»
賴慧如»
一綾»
農村武裝青年»
林宗興»
百合花»
WHYNOT»
張涵雅»
country dawn»
british country»
finnish worship»
norwegian pop»
chinese indie»
neo mellow»
japanese singer-songwriter»
israeli pop»
pop quebecois»
deep indie singer-songwriter»
classic indo pop»
taiwanese pop»
folk-pop»
malaysian mandopop»
indonesian worship»
brazilian ccm»
mandopop»
mainland chinese pop»
v-pop»
indiecoustica»
acoustic pop»
abstract beats»
ethio-jazz»
indie jazz»
deep jazz fusion»
deep latin jazz»
powwow»
wonky»
olympia wa indie»
second line»
brass band»
macedonian indie»
chinese experimental»
surf music»
guam indie»
plunder»
no wave»
street band»
japanese experimental»
world fusion»
belly dance»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,786 genre-shaped distinctions by Spotify as of 2019-12-09. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.