Every Noise at Once · russian modern classical   scan   playlist   intro   pulse   edge
Aram Khachaturian»
Nikolai Roslavets»
Mieczysław Weinberg»
Georgy Sviridov»
Nikolai Tcherepnin»
Maximilian Steinberg»
Igor Stravinsky»
Vladimir Shainsky»
Nikolai Obukhov»
Boris Arapov»
Matvey Blanter»
Valery Gavrilin»
Boris Pasternak»
Leonid Sabaneyev»
Matvey Nikolaevsky»
Sergei Lyapunov»
Alexander Krein»
Konstantin Eiges»
Leonid Polovinkin»
Ivan Wyschnegradsky»
Andrei Petrov»
Boris Tchaikovsky»
Gavriil Popov»
Lev Knipper»
Igor Markevitch»
Alexandra Pakhmutova»
Yulian Krein»
Varvara Andrianovna Gaigerova»
Dmitri Shostakovich»
Soulima Stravinsky»
Tikhon Khrennikov»
Adrian Shaposhnikov»
Galina Ustvolskaya»
Evgeny Golubev»
Yuri Shaporin»
Vladimir Ryabov»
Vladimir Kryukov»
Yuri Vladimirovich Kochurov»
Solomon Rosowsky»
Edison Denisov»
Alfred Schnittke»
Sergei Prokofiev»
Valerian Bogdanov-Berezovsky»
Arthur Lourié»
Alexander Mosolov»
Yuri Alexandrovich Falik»
Vissarion Shebalin»
Boris Asafyev»
Vladimir Vladimirovich Shcherbachov»
Anatoly Alexandrov»
Revol Bunin»
Vadim Salmanov»
Nikolai Karetnikov»
Alexander Tcherepnin»
Grigory Frid»
Kazimierz Wilkomirski»
Dmitry Kabalevsky»
Alexander Gretchaninov»
dutch contemporary classical»
russian contemporary classical»
avant-garde»
orchestral performance»
contrabass»
chamber ensemble»
classical»
radio symphony»
portuguese contemporary classical»
spanish contemporary classical»
russian modern classical»
australian classical»
swiss contemporary classical»
irish classical»
chinese classical»
czech contemporary classical»
oriental classical»
american contemporary classical»
classical performance»
early modern classical»
russian romanticism»
euro hi-nrg»
melbourne bounce international»
deep eurodance»
spanish electropop»
bubblegum dance»
deep discofox»
discofox»
remix»
electro latino»
deep happy hardcore»
italo dance»
hard bass»
breakbeat»
jump up»
kawaii future bass»
bouncy house»
hip house»
deep vocal house»
eurodance»
hands up»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 2,855 genres by Spotify as of 2019-03-22. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.