Every Noise at Once · polish contemporary classical   scan   playlist   new
Andrzej Dobrowolski»
Paulina Załubska»
Krzysztof Baculewski»
Mikolaj Palosz»
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Adam Witkowski»
Roman Haubenstock-Ramati»
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Henryk Górecki»
Paweł Mykietyn»
Włodzimierz Kotoński»
Marcin Gumiela»
Marcel Chyrzyński»
Wojciech Kilar»
Elżbieta Sikora»
Zbigniew Bargielski»
Boleslaw Szabelski»
Marian Sawa»
Paweł Szymanski»
Marcin Stańczyk»
Tomasz Skweres»
Zygmunt Krauze»
Jagoda Szmytka»
Józef Swider»
Romuald Twardowski»
Dariusz Przybylski»
Stanisław Moryto»
Zbigniew Preisner»
Bronislaw Kazimierz Przybylski»
Marta Ptaszynska»
Roman Palester»
Krzysztof Penderecki»
Witold Szalonek»
Andrzej Dutkiewicz»
Eugenius Knapik»
Adam Falkiewicz»
Wojciech Ziemowit Zych»
Jerzy Bauer»
Mateusz Ryczek»
Aleksander Lason»
Kazimierz Serocki»
Michal Dobrzynski»
Pawel Hendrich»
Martyna Kosecka»
Joanna Wozny»
Stefan Kisielewski»
Andrzej Dziadek»
Andrzej Panufnik»
Bettina Skrzypczak»
Andrzej Nikodemowicz»
Maciej Jablonski»
Wojciech Blecharz»
Leszek Kułakowski»
Stanislaw Bromboszcz»
Weronika Ratusinska»
Andrzej Koszewski»
Paweł Łukaszewski»
Tadeusz Dixa»
Grazyna Pstrokonska-Nawratil»
Joanna Bruzdowicz»
Krzysztof Knittel»
Krzesimir Debski»
Hanna Kulenty»
Zbigniew Karkowski»
Witold Lutosławski»
Milosz Bembinow»
Marian Borkowski»
Agnieszka Stulginska»
Aleksander Kosciow»
Roman Maciejewski»
Zbigniew Bujarski»
Tadeusz Wielecki»
Marek Jasinski»
Slawomir Zamuszko»
Anna Ignatowicz-Glinska»
Michal Moc»
Klaudia Pasternak»
Aleksandra Gryka»
Andrzej Krzanowski»
Aleksander Nowak»
Tadeusz Baird»
Pawet Szymanski»
Andrzej Chorosiński»
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@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,068 genre-shaped distinctions by Spotify as of 2020-11-23. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
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