Every Noise at Once · orchestral   scan   playlist   intro   pulse   edge   2017
Bergen Philharmonic Orchestra»
Orchestre de Paris»
José Serebrier»
Stavanger Symphony Orchestra»
Royal Concertgebouw Orchestra»
Birgit Nilsson»
Gustavo Dudamel»
Paavo Järvi»
Budapest Festival Orchestra»
Sydney Symphony Orchestra»
Bernard Haitink»
Swedish Radio Symphony Orchestra»
USSR State Symphony Orchestra»
Orpheus Chamber Orchestra»
San Francisco Symphony»
Malmö Symphony Orchestra»
Orchestra Mozart»
Orchestre National de Lille»
Orchestre Révolutionnaire et Romantique»
Carlo Maria Giulini»
Melbourne Symphony Orchestra»
Turku Philharmonic Orchestra»
Orchestre Métropolitain»
Atlanta Symphony Orchestra»
Orchestre Symphonique de Montréal»
Kirill Kondrashin»
John Adams»
Munich Chamber Orchestra»
Christian Thielemann»
Minnesota Orchestra»
Simone Young»
Deutsches Symphonie-Orchester Berlin»
David Oistrakh»
Singapore Symphony Orchestra»
Sir Neville Marriner»
Scottish Chamber Orchestra»
Giuseppe Sinopoli»
Marin Alsop»
Netherlands Philharmonic Orchestra»
Klaus Tennstedt»
Finnish Radio Symphony Orchestra»
Warsaw Philharmonic Orchestra»
Orquestra Sinfônica Do Estado De São Paulo»
Ulster Orchestra»
WDR Sinfonieorchester Köln»
English Chamber Orchestra»
Prague Chamber Orchestra»
Chamber Orchestra of Europe»
Sir Colin Davis»
Andrew Manze»
Eugen Jochum»
Christoph Poppen»
Eliahu Inbal»
Pittsburgh Symphony Orchestra»
Berlin Radio Symphony Orchestra»
Munich Philharmonic Orchestra»
Riccardo Chailly»
Orchestre Philharmonique de Radio France»
Lorin Maazel»
Prague Symphony Orchestra»
Eugene Ormandy»
Swedish Chamber Orchestra»
Wiener Symphoniker»
Tampere Philharmonic Orchestra»
Seoul Philharmonic Orchestra»
Sir Simon Rattle»
Lucerne Festival Orchestra»
Los Angeles Philharmonic»
Russian State Symphony Orchestra»
New York Philharmonic»
Jeffrey Tate»
Valery Gergiev»
Berliner Symphoniker»
Riccardo Muti»
Berliner Philharmoniker»
David Zinman»
André Previn»
Mstislav Rostropovich»
Oslo Philharmonic Orchestra»
Rotterdam Philharmonic Orchestra»
Helsingborg Symphony Orchestra»
London Symphony Orchestra»
Polish Radio Symphony Orchestra»
Kirill Karabits»
BBC Symphony Orchestra»
Seattle Symphony Orchestra»
Budapest Philharmonic Orchestra»
Zubin Mehta»
Charles Münch»
New Philharmonia Orchestra»
Cleveland Orchestra»
Andrew Litton»
Utah Symphony Orchestra»
Bruno Walter»
Norrköping Symphony Orchestra»
City Of Birmingham Symphony Orchestra»
Lithuanian Chamber Orchestra»
Royal Liverpool Philharmonic Orchestra»
Bournemouth Symphony Orchestra»
Teodor Currentzis»
Kristjan Järvi»
Leonard Bernstein»
Antonio Pappano»
Ferenc Fricsay»
Academy of St. Martin in the Fields»
Helsinki Philharmonic Orchestra»
Günter Wand»
Yehudi Menuhin»
Frankfurt Radio Symphony Orchestra»
Royal Northern Sinfonia»
Gidon Kremer»
Staatskapelle Berlin»
Staatskapelle Dresden»
Mahler Chamber Orchestra»
Vienna Radio Symphony Orchestra»
Esa-Pekka Salonen»
Danish National Symphony Orchestra»
Baltimore Symphony Orchestra»
Fritz Reiner»
Israel Philharmonic Orchestra»
Queensland Symphony Orchestra»
Carlos Kleiber»
English Northern Philharmonia»
Bamberg Symphony Orchestra»
Sir Charles Mackerras»
Slovak Radio Symphony Orchestra»
Netherlands Radio Philharmonic Orchestra»
Malaysian Philharmonic Orchestra»
RTÉ National Symphony Orchestra»
Orchestre National De France»
Hungarian National Philharmonic»
Freiburger Barockorchester»
Vladimir Ashkenazy»
BBC National Orchestra Of Wales»
Tapiola Sinfonietta»
Sir Thomas Beecham»
Philadelphia Orchestra»
Otto Klemperer»
Royal Stockholm Philharmonic Orchestra»
Leningrad Philharmonic Orchestra»
Nashville Symphony Orchestra»
American Composers Orchestra»
Luxembourg Philharmonic Orchestra»
London Philharmonic Orchestra»
Detroit Symphony Orchestra»
Orchestre National De Lyon»
Herbert von Karajan»
Simón Bolívar Symphony Orchestra Of Venezuela»
L'Orchestre de la Suisse Romande»
Stuttgart Radio Symphony Orchestra»
SWR Symphony Orchestra»
Herbert Blomstedt»
Sergiu Celibidache»
Norwegian Chamber Orchestra»
New Zealand Symphony Orchestra»
Anne-Sophie Mutter»
Orchestra Of The 18th Century»
St. Petersburg State Symphony Orchestra»
Lahti Symphony Orchestra»
Dennis Russell Davies»
Sir Georg Solti»
George Szell»
Gewandhausorchester Leipzig»
Daniel Harding»
Sir John Barbirolli»
Boston Modern Orchestra Project»
Leipzig Radio Symphony Orchestra»
Iceland Symphony Orchestra»
Moscow Symphony Orchestra»
Czech Philharmonic Orchestra»
Colorado Symphony»
Boston Symphony Orchestra»
Simón Bolívar Youth Orchestra of Venezuela»
Chicago Symphony Orchestra»
Wilhelm Furtwängler»
Dallas Symphony Orchestra»
Amsterdam Sinfonietta»
Rudolf Kempe»
Polish National Radio Symphony Orchestra»
Richard Hickox»
Michael Tilson Thomas»
BBC Philharmonic»
Lisa Batiashvili»
Gothenburg Symphony Orchestra»
Vasily Petrenko»
Budapest Symphony Orchestra»
Hannover Radio Philharmonic Orchestra»
Sir Adrian Boult»
Royal Scottish National Orchestra»
Pierre Boulez»
Julia Fischer»
Bavarian Radio Symphony Orchestra»
London Sinfonietta»
Stuttgart Chamber Orchestra»
Mariss Jansons»
Maxim Vengerov»
Aarhus Symphony Orchestra»
Antal Doráti»
Australian Chamber Orchestra»
Kremerata Baltica»
Philharmonia Orchestra»
Russian National Orchestra»
Nikolaus Harnoncourt»
Wiener Philharmoniker»
Claudio Abbado»
Arturo Toscanini»
Arthur Grumiaux»
Ukraine National Symphony Orchestra»
Dresdner Philharmonie»
Buffalo Philharmonic Orchestra»
Seiji Ozawa»
Mariinsky Orchestra»
Danish National Radio Symphony Orchestra»
Kent Nagano»
Daniel Barenboim»
American Symphony Orchestra»
Gürzenich Orchester Köln»
Isabelle Faust»
classical performance»
string quartet»
modern performance»
contemporary classical»
21st century classical»
classical oboe»
early modern classical»
romantic era»
pop house»
italo dance»
deep discofox»
vocal house»
deep eurodance»
baile funk»
disco polo»
hard bass»
hands up»
electro bailando»
deep vocal house»
hip house»
electro latino»
italo beats»
bubblegum dance»
@EveryNoise ·  glenn mcdonald
This is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 1687 genres by Spotify. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.