Every Noise at Once · kikuyu gospel   scan   playlist   intro   pulse   new
Phylliss Mbuthia»
Isaiah Ndungu»
Daniel Kamau Karanja»
Elijah Murugami»
D.k Karanja»
Allan Aaron»
Obadiah Gachanja»
Ezekiel M. Jacob»
Boniface Gichuru»
Evangelist Anastasia Karanja»
Sikkollo»
Upendi Nkone»
Simon Njihia»
Catherine Wa Tony»
Muigai Wa Njoroge»
Mirugi Dishon»
Gerald Maina»
Anthony Maina Githinji»
Fred K»
Sarah Wambui Kimunyi»
Moses Gitonga»
Obedee»
Dafari»
Wakabura Joseph»
Paul Ndungu Wambui»
Ev. John Mwangi»
Muhiko Nebster»
Mwalimu Elijah N Karanja»
John Ndungu»
Emmah W. Mbugua»
Austin Muturi»
S K Karuri»
Martin Wa Janet»
Beatrice Wangui»
David Mambo»
Mercy Njeri Victoria»
Apostle Job Ayub»
Sammy Boy»
Shiru wa GP»
Martha Mwaipaja»
Salome Gakii Mugambi»
Betty Mwangi»
Hellen Muthoni»
Dennis Mutara»
Princess Farida»
Jane Muthoni»
Carol Wanjiru»
D G»
Hezeh Ndung'u»
Grace Mwai»
Mrs Nancy Torome»
L Jay Maasai»
Josephat Macharia Chege»
M.O.G»
Njoroge Ngari»
Charles King'ori»
Ben Githae»
Ruth Wamuyu»
Muigai Njoroge»
Loise Mbugua»
Sam K. Kagoiya»
Janet Otieno»
Elizabeth Nyambere»
Moses Wachira»
zouglou»
pop peruano»
salsa cristiana»
cumbia chilena»
tanzanian pop»
ugandan pop»
cumbia ranchera»
oromo pop»
afro dancehall»
cumbia boliviana»
bhangra»
cameroonian pop»
cumbia pop»
punjabi pop»
nigerian hip hop»
nigerian pop»
cumbia peruana»
azontobeats»
kikuyu gospel»
orquestas de galicia»
cumbia villera»
bulgarian experimental»
polish experimental»
turkish experimental»
martial industrial»
neofolk»
rune folk»
new england experimental»
spanish experimental»
ambient pop»
norwegian experimental»
drone psych»
italian experimental»
hauntology»
korean experimental»
australian experimental»
icelandic experimental»
ai»
canadian post-rock»
neoclassical darkwave»
danish experimental»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,068 genre-shaped distinctions by Spotify as of 2020-11-23. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.