Every Noise at Once · japanese singer-songwriter   scan   playlist   intro   pulse   edge   2019   new
Takao Kisugi»
Uru»
Shinji Tanimura»
Shugo Tokumaru»
Haruomi Hosono»
Hideaki Tokunaga»
Masayoshi Yamazaki»
Tokiko Kato»
Shigeru Izumiya»
Takuro Yoshida»
Rina Sumioka»
Nobuyasu Okabayashi»
Akira Terao»
Kyogo Kawaguchi»
Kiyoshiro Imawano»
Chihiro Onitsuka»
Masashi Sada»
Kohmi Hirose»
Miwa Sasagawa»
Ayano Tsuji»
友川かずき»
Yosui Inoue»
Mayu Wakisaka»
Ryuichi Kawamura»
Kei Ogura»
Mayo Okamoto»
Hikaru Utada»
Shikao Suga»
Daichi Miura»
Mayumi Itsuwa»
Sakura Fujiwara»
Mari Hamada»
Ayaka Hirahara»
Reichi Nakaido»
Kozo Murashita»
Yuko Ando»
Mai Hoshimura»
Yutaro Miura»
Makoto Kawamoto»
Yumi Matsutoya»
Tavito Nanao»
ayaka»
Yutaka Ozaki»
Shunsuke Kiyokiba»
Ai Kawashima»
Chiharu Matsuyama»
Tamio Okuda»
豊田道倫»
Maki Ohguro»
Sonoko Inoue»
UA»
Koji Tamaki»
Tsuyoshi Nagabuchi»
Shion Tsuji»
Noriyuki Makihara»
Ai Otsuka»
Satoko Shibata»
Angela Aki»
BONNIE PINK»
Rie fu»
Seiko Matsuda»
Kazumasa Oda»
Yu Takahashi»
Gen Hoshino»
Kaientai»
Akiko Yano»
Hiro Takahashi»
Anri Kumaki»
Ken Hirai»
Masaharu Fukuyama»
Naoto»
Ren Takada»
Leo Ieiri»
Natsuko Nisshoku»
Hanako Oku»
KENTA MAENO»
kayokyoku»
japanese folk»
turkish rock»
haitian gospel»
musica campineira»
hindi worship»
indonesian city pop»
japanese singer-songwriter»
pop quebecois»
gospel antigas»
cape breton indie»
folk-pop»
glee club»
j-acoustic»
norwegian pop»
j-pop»
chinese indie»
neo mellow»
enka»
musical advocacy»
norwegian indie»
okinawan folk»
j-rock»
finnish worship»
japanese city pop»
israeli pop»
cypriot pop»
cantopop»
russian post-punk»
rock drums»
british industrial»
deep jazz fusion»
japanese jazz fusion»
no wave»
plunderphonics»
wonky»
experimental indie»
experimental hip hop»
montreal indie»
belly dance»
abstract beats»
afrofuturism»
zolo»
chinese experimental»
glitch pop»
baja indie»
olympia wa indie»
one-person band»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 4,741 genre-shaped distinctions by Spotify as of 2020-08-12. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.