Every Noise at Once · japanese classical   scan   playlist   intro   pulse   new
Sesshu Kai»
Hirokazu Hiraishi»
Michiru Oshima»
Mari Takano»
Yuzo Toyama»
Yoritsune Matsudaira»
Misato Mochizuki»
Toshiro Mayuzumi»
Ryuichi Sakamoto»
Yasuo Sueyoshi»
Masao Ohki»
Somei Satoh»
Kozaburo Hirai»
Takehito Shimazu»
Takashi Yoshimatsu»
Teizo Matsumura»
Hiroshi Ohguri»
Michio Mamiya»
Isao Matsushita»
Ryōhei Hirose»
Karen Tanaka»
Yoshihiro Kanno»
Akira Ifukube»
Shiro Fukai»
Jo Kondo»
Hidemaro Konoye»
Yoko Kanno»
Isotaro Sugata»
Joji Yuasa»
Tadashi Yanada»
Akio Yashiro»
Yoshihisa Taira»
Sadao Bekku»
Hisato Ohzawa»
Shinichi Suzuki»
Kazuo Yamada»
Keiko Abe»
Michio Miyagi»
Toshi Ichiyanagi»
Kiyoshige Koyama»
Kunihiko Hashimoto»
Hikaru Hayashi»
Akihiko Matsumoto»
Kosaku Yamada»
Mamoru Fujieda»
Yasushi Akutagawa»
Toshio Mashima»
Rentaro Taki»
Makoto Shinohara»
Akira Nishimura»
Minoru Miki»
Yoshinao Nakada»
Maki Ishii»
Makoto Moroi»
Toru Takemitsu»
Susumu Yoshida»
Ikuma Dan»
Fumio Hayasaka»
Joe Hisaishi»
Shin’ichirō Ikebe»
Yasunori Mitsuda»
Keiko Harada»
Toshio Hosokawa»
Akira Miyoshi»
Saburō Moroi»
Dai Fujikura»
Nobuo Uematsu»
Kazuo Fukushima»
Humiwo Hayasaka»
Makiko Nishikaze»
Akira Kosemura»
japanese soundtrack»
anime score»
dutch contemporary classical»
compositional ambient»
classical oboe»
avant-garde»
icelandic classical»
spanish contemporary classical»
drone»
irish contemporary classical»
american 21st century classical»
minimal»
classical saxophone»
lullaby»
chinese traditional»
new zealand classical»
japanese classical»
432hz»
oriental classical»
modern performance»
american contemporary classical»
belgian contemporary classical»
portuguese contemporary classical»
deep discofox»
euro hi-nrg»
discofox»
remix»
chalga»
disco polo»
spanish electropop»
strut»
pop house»
eurodance»
j-dance»
bubblegum dance»
electro latino»
j-reggae»
italo dance»
hands up»
mahraganat»
moombahton»
deep vocal house»
oktoberfest»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 2,932 genres by Spotify as of 2019-04-18. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.