Rajan & Sajan Mishra & Shruti Sadolikar»
Maharajapuram S Ramachandran»
Lalgudi GJR Krishnan And Vijayalakshmi»
Maharajapuram Viswanatha Iyer»
K. J. Yesudas, S. Janaki»
Amjad Ali Khan & Girija Devi»
Seerkhazhi S. Govindarajan»
T. M. Sounderarajan, P. Susheela, S. C. Krishnan, M. S. Rajeswari, T. M. Sounderarajan, M. S. Viswanathan, P. Susheela, Lr Eswari, Kadri Gopalanath (sax)»
Lalgudi G. J. R. Krishnan, Lalgudi J. Vijayalakshmi»
Semmangudi R Srinivasa Iyer»
Maharajapuram V Santhanam»
Semmangudi R. Shrinivasa Iyer, M. S. Subbulakshmi»
Semmangudi R. Shrinivasa Iyer»
Chembai Vaidyanatha Bhagavathar»
Umayalpuram K. Sivaraman / M.A Sundareswaran / E.M Subramaniam / Mattanur Sankaran Kutty / Porur Unnikrishnan / Srirangam S Kannan / N.Hariharan»
Shahid Parvez / Kumar Bose»
Dr. Seerkazhi S. Govindarajan»
M. S. Subbulakshmi & Radha Viswanathan»
Ariyakudi Ramanuja Iyengar»
Semmangudi Srinivasa Iyer»
Tejendra Narayan Majumdar»
Sri Chembai Vaidyanatha Bagavathar»
M. K. Thiyagaraja Bhagavathar, M. K. Thyagaraja Bhagavathar»
Mahamahopadhyaya Nookala Chinna Satyanarayana»
Shivkumar Sharma & Zakir Hussain»
This is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 1536 genres by Spotify.
The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.