Rajan & Sajan Mishra & Shruti Sadolikar»
Maharajapuram S Ramachandran»
Karaikudi Sambasiva Iyer»
Sirkazhi G. Sivachidambaram»
Dwaram Venkataswamy Naidu»
M. M. Dhandapani Desikar»
Nookala Chinna Satyanarayana»
M. K. Sankaran Namboothiri»
Sikkil Mala Chandrasekhar»
Lalgudi G. J. R. Krishnan, Lalgudi J. Vijayalakshmi»
Lalgudi GJR Krishnan And Vijayalakshmi»
Seerkhazhi S. Govindarajan»
Semmangudi R Srinivasa Iyer»
Shertallay K. N. Renganatha Sharma»
Maharajapuram V Santhanam»
Semmangudi R. Shrinivasa Iyer, M. S. Subbulakshmi»
Semmangudi Srinivasa Iyer»
Maharajapuram Viswanatha Iyer»
Ariyakudi Ramanuja Iyengar»
Ustad Rahim Fahimuddin Khan Dagar»
M. S. Subbulakshmi & Radha Viswanathan»
Ananda Gopal Bandopadhyay»
Neyveli R.Santhana Gopalan»
M. K. Thiyagaraja Bhagavathar, M. K. Thyagaraja Bhagavathar»
Haridwaramangalam A.K. Palanivel»
Umayalpuram K. Sivaraman»
Mahamahopadhyaya Nookala Chinna Satyanarayana»
Ritesh Das Toronto Tabla Ensemble»
Shivkumar Sharma & Zakir Hussain»
This is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 1687 genres by Spotify.
The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.