Every Noise at Once · early american folk   scan   playlist   intro   pulse   new
Albert Pike»
The Abyssinian Baptist Church Sanctuary Choir»
David McCullough»
97th Regimental String Band»
Paul Roebling»
Jerry Silverman and The Harvesters»
Matthew Sabatella and the Rambling String Band»
Jon English, Rob Carriker, Marlborough Singers & Marlborough Chamber Players»
Jay Ungar»
Barry Phillips and Friends»
Carolina Fifes & Drums»
Anne Enslow»
David Hildebrand»
2nd South Carolina String Band»
Anne Enslow & Ridley Enslow»
The Itinerant Band»
The Civil War Players»
The Colonial Williamsburg Governor's Musick»
The Union Confederacy»
Diane Taraz»
Continental Harmony Singers»
Arthur F. Schrader»
Hesperus Early Music Ensemble»
Jaqueline Schwab»
Covered Bridge Music»
William Coulter & Barry Phillips»
Tracy Smith»
Saxton's Cornet Band»
David & Ginger Hildebrand»
Eight Hand String Band»
Deby Benton Grosjean»
Susquehanna Travellers»
Jim's Red Pants»
Jay Ungar And Molly Mason»
Wayne Erbsen»
David and Ginger Hildebrand»
Jim Taylor And Friends»
Bobby Horton»
Irish Volunteers Civil War Band»
Neal Hellman And His Friends»
Jim Taylor»
Jerry Bryant»
Camp Lincoln String Band»
David Kincaid»
Bittersweet and Briers»
Baltimore Consort»
The Old Bethpage Brass Band»
Douglas Jimerson»
John Colby»
Cliff Halsam and John Millar»
Pete Seeger and Bill MacAdoo»
The New American Brass Band»
Jed Marum»
Virginia Company»
jota aragonesa»
french folk»
traditional british folk»
traditional english folk»
mountain dulcimer»
traditional folk»
yunnan traditional»
central asian folk»
cambodian traditional»
vintage swedish pop»
american folk revival»
yemeni traditional»
northumbrian folk»
early american folk»
polca paraguaya»
jazz violin»
brazilian jazz»
euphoric hardstyle»
happy hardcore»
industrial hardcore»
neue deutsche harte»
future rock»
rap rock»
industrial rock»
classic hardstyle»
digital hardcore»
neo-industrial rock»
industrial metal»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,068 genre-shaped distinctions by Spotify as of 2020-11-23. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.