Every Noise at Once · classic japanese jazz   scan   playlist   intro   pulse   new
Koichi Matsukaze Trio + Toshiyuki Daitoku»
Terumasa Hino meets Reggie Workman»
TABATA SADAKAZU»
菊地成孔DCPRG»
鈴木“チン”良雄»
Satoko Fujii Quartet»
笠井 紀美子»
Sokabe Keiichi Rendezvous Band»
本田竹彦»
Hideo Date»
福居良»
Eiji Kitamura»
Yuji Ohno»
山口真文»
片岡輝彦»
Tadao Hayashi Harp Trio»
Yosuke Yamashita»
Takeo Moriyama»
Shunosuke Ishikawa»
Nao Takeuchi»
Yoshio Suzuki»
Tomoyoshi Nakamura Quartet»
Kei Ishiguro»
Toshiko Akiyoshi»
Naruyoshi Kikuchi»
INOMATATAKESHI»
菅野邦彦»
Marco Bosco»
Herbie Mann with Tamiko Jones»
Ryo Kawasaki Group»
Ryo Kawasaki»
Sadao Watanabe»
峰厚介»
世良譲»
Tohru Aizawa Quartet»
原信夫»
Masaru Imada»
Tatsuo Sunaga»
Hidefumi Toki»
Akira Ishikawa»
George Ohtsuka»
Shigeharu Mukai»
鈴木 弘»
Hideo Shiraki»
沖至»
Jun Fukamachi»
Eiji Nakayama»
佐々木久美»
Hei Tanaka»
ゼロ戦»
Makoto Terashita meets Harold Land»
Hidehiko Matsumoto»
TAKAO UEMATSU»
Tsuyoshi Yamamoto»
Masabumi Kikuchi»
Makoto Terashita»
SFKUaNK!!»
Terumasa Hino»
Masahiko Togashi»
本田竹曠トリオ»
Kunitachi Music Academy»
Hiroshi Fukumura»
Masahiko Sato»
セキトオ・シゲオ»
Takeshi Inomata»
Takero Ogata»
宮間利之とニュー・ハード»
Tatsuya Nakamura JAPAN JAZZ UNIT»
猪俣猛»
Tethered Moon»
Miyasaka + 5»
Koichi Matsukaze Trio»
Shunzo Ohno»
辛島文雄»
Yosuke Yamashita Trio»
THE BON BONES»
Koichi Matsukaze»
Fumio Karashima»
市原宏祐»
Ichiro Masuda Quintet»
jazz chileno»
jazz composition»
danish modern jazz»
austrian jazz»
electric bass»
danish jazz»
british jazz»
german jazz»
dutch jazz»
library music»
jazz fusion»
japanese jazz»
swiss jazz»
faroese jazz»
belgian modern jazz»
arabic jazz»
classic japanese jazz»
brazilian modern jazz»
canadian modern jazz»
finnish modern jazz»
polish jazz»
dortmund indie»
j-division»
thai indie»
rock mineiro»
hungarian rock»
k-pop boy group»
pop rock brasileiro»
j-idol»
j-pop boy group»
moldovan pop»
japanese electropop»
electropowerpop»
maltese pop»
candy pop»
indonesian idol pop»
vocaloid»
coventry indie»
boy band»
russian punk»
j-pop»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,002 genre-shaped distinctions by Spotify as of 2020-10-22. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.