Every Noise at Once · classic japanese jazz   scan   playlist   intro   pulse   new
Terumasa Hino meets Reggie Workman»
Koichi Matsukaze Trio + Toshiyuki Daitoku»
TABATA SADAKAZU»
菊地成孔DCPRG»
鈴木“チン”良雄»
Satoko Fujii Quartet»
笠井 紀美子»
Sokabe Keiichi Rendezvous Band»
本田竹彦»
Hideo Date»
THE BON BONES»
福居良»
Eiji Kitamura»
Yuji Ohno»
山口真文»
片岡輝彦»
Tadao Hayashi Harp Trio»
Shunosuke Ishikawa»
Takeo Moriyama»
Nao Takeuchi»
Yoshio Suzuki»
原信夫»
Tomoyoshi Nakamura Quartet»
Kei Ishiguro»
INOMATATAKESHI»
Marco Bosco»
菅野邦彦»
Toshiko Akiyoshi»
Herbie Mann with Tamiko Jones»
Ryo Kawasaki Group»
Ryo Kawasaki»
Sadao Watanabe»
世良譲»
峰厚介»
Tohru Aizawa Quartet»
Masaru Imada»
Tatsuo Sunaga»
Akira Ishikawa»
George Ohtsuka»
Shigeharu Mukai»
鈴木 弘»
Hideo Shiraki»
沖至»
Jun Fukamachi»
Eiji Nakayama»
佐々木久美»
Hei Tanaka»
ゼロ戦»
Naruyoshi Kikuchi»
Hidehiko Matsumoto»
Makoto Terashita meets Harold Land»
TAKAO UEMATSU»
Tsuyoshi Yamamoto»
Masabumi Kikuchi»
Makoto Terashita»
SFKUaNK!!»
Terumasa Hino»
Masahiko Togashi»
本田竹曠トリオ»
Kunitachi Music Academy»
Hiroshi Fukumura»
Takeshi Inomata»
セキトオ・シゲオ»
Masahiko Sato»
Takero Ogata»
宮間利之とニュー・ハード»
Tatsuya Nakamura JAPAN JAZZ UNIT»
Hidefumi Toki»
猪俣猛»
Tethered Moon»
Miyasaka + 5»
Koichi Matsukaze Trio»
Shunzo Ohno»
Yosuke Yamashita»
辛島文雄»
Yosuke Yamashita Trio»
Koichi Matsukaze»
Fumio Karashima»
市原宏祐»
Ichiro Masuda Quintet»
faroese jazz»
belgian modern jazz»
electric bass»
dutch jazz»
classic japanese jazz»
brazilian modern jazz»
jazz composition»
space age pop»
finnish modern jazz»
danish jazz»
jazz chileno»
japanese jazz»
austrian jazz»
british jazz»
arabic jazz»
danish modern jazz»
german jazz»
library music»
jazz fusion»
canadian modern jazz»
swiss jazz»
japanese electropop»
coventry indie»
panamanian rock»
maltese pop»
candy pop»
denpa-kei»
j-idol»
j-pop boy group»
rock mineiro»
dortmund indie»
j-pop»
eurobeat»
wrestling»
moldovan pop»
electropowerpop»
thai indie»
indie rockism»
j-division»
vocaloid»
indonesian idol pop»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 4,741 genre-shaped distinctions by Spotify as of 2020-08-12. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.