Every Noise at Once · classic japanese jazz   scan   playlist   intro   pulse   new
Terumasa Hino meets Reggie Workman»
Koichi Matsukaze Trio + Toshiyuki Daitoku»
TABATA SADAKAZU»
THE BON BONES»
菊地成孔DCPRG»
鈴木“チン”良雄»
Satoko Fujii Quartet»
Sokabe Keiichi Rendezvous Band»
本田竹彦»
Hideo Date»
Yuji Ohno»
Eiji Kitamura»
Jun Fukamachi»
Koichi Matsukaze Trio»
Hidefumi Toki»
沖至»
片岡輝彦»
笠井 紀美子»
Miyasaka + 5»
Tadao Hayashi Harp Trio»
Takeo Moriyama»
辛島文雄»
Nao Takeuchi»
Tomoyoshi Nakamura Quartet»
Kei Ishiguro»
TAKAO UEMATSU»
INOMATATAKESHI»
Marco Bosco»
菅野邦彦»
Herbie Mann with Tamiko Jones»
Ryo Kawasaki Group»
Ryo Kawasaki»
Sadao Watanabe»
世良譲»
Takeshi Inomata»
峰厚介»
Tohru Aizawa Quartet»
原信夫»
Tatsuo Sunaga»
Akira Ishikawa»
George Ohtsuka»
Yoshio Suzuki»
鈴木 弘»
福居良»
佐々木久美»
Hei Tanaka»
ゼロ戦»
Hidehiko Matsumoto»
Makoto Terashita meets Harold Land»
Eiji Nakayama»
Tsuyoshi Yamamoto»
Naruyoshi Kikuchi»
Masabumi Kikuchi»
Makoto Terashita»
SFKUaNK!!»
Masahiko Sato»
Masahiko Togashi»
Terumasa Hino»
本田竹曠トリオ»
Kunitachi Music Academy»
Hiroshi Fukumura»
セキトオ・シゲオ»
Takero Ogata»
宮間利之とニュー・ハード»
Tatsuya Nakamura JAPAN JAZZ UNIT»
猪俣猛»
Tethered Moon»
Masaru Imada»
山口真文»
Shigeharu Mukai»
Shunzo Ohno»
Hideo Shiraki»
Shunosuke Ishikawa»
Yosuke Yamashita»
Toshiko Akiyoshi»
Yosuke Yamashita Trio»
Fumio Karashima»
市原宏祐»
Koichi Matsukaze»
Ichiro Masuda Quintet»
library music»
jazz chileno»
jazz fusion»
faroese jazz»
danish modern jazz»
finnish modern jazz»
austrian jazz»
electric bass»
german jazz»
south african modern jazz»
swiss jazz»
arabic jazz»
classic japanese jazz»
brazilian modern jazz»
dutch jazz»
jazz composition»
canadian modern jazz»
belgian modern jazz»
finnish jazz»
british jazz»
japanese jazz»
dortmund indie»
dansei seiyuu»
moldovan pop»
k-pop boy group»
j-pop»
indonesian idol pop»
japanese vtuber»
japanese teen pop»
j-division»
vocaloid»
japanese new wave»
electropowerpop»
candy pop»
j-pop boy group»
japanese electropop»
coventry indie»
okinawan pop»
actors»
classic j-pop»
tsukiuta»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,169 genre-shaped distinctions by Spotify as of 2021-01-15. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.