S. P. Balasubrahmanyam, S. Janaki & T. V. Gopalakrishnan»
Maharajapuram S Ramachandran»
Dwaram Venkataswamy Naidu»
M. S. Subbulakshmi, Radha Viswanathan»
Anuradha Sriram, Swarnalatha, Unni Krishnan, Harini»
Kottur Rajarathinam Pillai»
T. M. Sounderarajan, P. Susheela, S. C. Krishnan, M. S. Rajeswari, T. M. Sounderarajan, M. S. Viswanathan, P. Susheela, Lr Eswari, Kadri Gopalanath (sax)»
K V Narayanaswami, Anuradha Suresh Krishnamoorthy»
Lalgudi G. J. R. Krishnan, Lalgudi J. Vijayalakshmi»
Lalgudi GJR Krishnan And Vijayalakshmi»
Seerkhazhi S. Govindarajan»
Semmangudi R Srinivasa Iyer»
T.M. Krishna & Sangeetha Sivakumar»
Maharajapuram V Santhanam»
Semmangudi R. Shrinivasa Iyer, M. S. Subbulakshmi»
Semmangudi R. Shrinivasa Iyer»
Semmangudi Srinivasa Iyer»
Maharajapuram Viswanatha Iyer»
Ariyakudi Ramanuja Iyengar»
M. S. Subbulakshmi & Radha Viswanathan»
Neyveli R.Santhana Gopalan»
M. K. Thiyagaraja Bhagavathar, M. K. Thyagaraja Bhagavathar»
Umayalpuram K. Sivaraman»
Mahamahopadhyaya Nookala Chinna Satyanarayana»
Dr. Seerkhazhi S. Govindarajan, Dr. Seerkhazhi S. Govindarajan, P. Susheela»
Sanjay Subrahmanyan and P Unni Krishnan»
This is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 1728 genres by Spotify.
The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.