Every Noise at Once · australian choir   scan   playlist   intro   pulse   new
University of Melbourne Choir»
Tasmanian Opera Company Chorus and Lyric Singers»
Adelaide Vocal Project»
Gondwana Voices»
Brisbane Chamber Choir»
Lumina Vocal Ensemble»
Young Voices of Melbourne»
Resonance of Birralee»
Imogen Children's Chorale»
Brandenburg Choir»
Young Adelaide Voices»
Imogen Men's Chorus»
Adelaide Chamber Singers»
Sydney Gay & Lesbian Choir»
The Queensland Choir»
Sydney Chamber Choir»
Naya Chorale»
Choir of Trinity College, University of Melbourne»
Sydney Philharmonia Choirs»
Singers of St. Laurence»
TSO Chorus»
Sydney Philharmonia Choir»
Melbourne Symphony Orchestra Chorus»
The Birralee Blokes»
VOX - Sydney Philharmonia Choirs»
The Spooky Men's Chorale»
Australian Girls Choir»
Sydney Conservatorium Chorale»
Australian Boys Choir»
Opera Australia Chorus»
Sydney Philharmonia Symphonic Choir»
Brisbane Birralee Voices»
Melbourne Chorale»
Sing NSW Choir»
Australian Contemporary Chorale»
Opera Queensland Chorus»
Luminescence Chamber Choir»
Sydney Philharmonia Motet Choir»
School Of Hard Knocks Choirs»
Adelaide Girls Choir»
The Astra Chamber Music Society»
All Saints' College Students»
Sydney Children's Choir»
The Australian Voices»
Choir of Hard Knocks»
Adelaide Symphony Chorus»
Royal Melbourne Philharmonic Choir»
The Contemporary Singers»
norwegian choir»
orthodox chant»
canadian choir»
italian renaissance»
german renaissance»
chamber choir»
danish choir»
finnish choir»
vocal ensemble»
polish early music»
polish choir»
british choir»
swedish choir»
australian choir»
contemporary choir»
university choir»
american choir»
franco-flemish school»
cambridge choir»
disco house»
bass house»
diva house»
vocal house»
deep vocal house»
italo dance»
ragga jungle»
melbourne bounce international»
jump up»
nu skool breaks»
hip house»
hardcore breaks»
hard bass»
uk garage»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 4,674 genre-shaped distinctions by Spotify as of 2020-08-02. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.