Every Noise at Once · australian choir   scan   playlist   intro   pulse   new
University of Melbourne Choir»
Tasmanian Opera Company Chorus and Lyric Singers»
Adelaide Vocal Project»
Young Voices of Melbourne»
Brisbane Chamber Choir»
Lumina Vocal Ensemble»
Resonance of Birralee»
Imogen Children's Chorale»
Sydney Philharmonia Choirs»
Young Adelaide Voices»
Imogen Men's Chorus»
Adelaide Chamber Singers»
Sydney Gay & Lesbian Choir»
The Queensland Choir»
Opera Queensland Chorus»
Naya Chorale»
Choir of Trinity College, University of Melbourne»
Brandenburg Choir»
Singers of St. Laurence»
TSO Chorus»
Sydney Chamber Choir»
The Birralee Blokes»
VOX - Sydney Philharmonia Choirs»
The Spooky Men's Chorale»
Australian Girls Choir»
Sydney Conservatorium Chorale»
Australian Boys Choir»
Gondwana Voices»
Opera Australia Chorus»
Sydney Philharmonia Symphonic Choir»
Brisbane Birralee Voices»
Melbourne Chorale»
Sing NSW Choir»
Australian Contemporary Chorale»
Luminescence Chamber Choir»
Sydney Philharmonia Motet Choir»
School Of Hard Knocks Choirs»
Adelaide Girls Choir»
Sydney Philharmonia Choir»
The Astra Chamber Music Society»
All Saints' College Students»
Sydney Children's Choir»
The Australian Voices»
Melbourne Symphony Orchestra Chorus»
Choir of Hard Knocks»
Adelaide Symphony Chorus»
Royal Melbourne Philharmonic Choir»
The Contemporary Singers»
norwegian choir»
finnish choir»
canadian choir»
italian renaissance»
chamber choir»
polish choir»
danish choir»
orthodox chant»
german renaissance»
franco-flemish school»
british choir»
australian choir»
american choir»
vocal ensemble»
swedish choir»
polish early music»
anglican liturgy»
university choir»
disco house»
bass house»
hip house»
electro latino»
speed garage»
melbourne bounce international»
vocal house»
deep vocal house»
hardcore breaks»
ragga jungle»
diva house»
nu skool breaks»
hard bass»
italo dance»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,789 genre-shaped distinctions by Spotify as of 2019-12-12. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on an artist to go to their Spotify page.