Every Noise at Once · afghan traditional   scan   playlist   intro   pulse   new
Shamsuddin Masrur»
Abdurrahmân Saljuqi»
Sharafoddin»
Mohammad Sâdeq Bolbol»
Ustad Rahim Khushnawaz, Gada Mohammad & Azim Hassapur»
Ostâd Amir Jân Khushnawaz»
Djila»
Rahim Takhâri»
Baba Naim»
Madar-e Abdul»
Abdul Mazari»
Hamida Rochshana»
Wedding guests in Kucheh Maktab Ansari»
Lagha»
Rebab and Dhol Duet»
Farida Mahwash»
Omar Mohamed Ustad»
Aziz Ghaznawi»
Gul Mohammad Istalifi»
Aziz Gaznavi»
Karim Dutâri»
Sayyid Shâh Ewaz»
Mohammad Rajab (“Goroghli Khan”)»
Mah Gol»
Party guests at the house of Karim Dutari»
Mullah Tâj Mohammad»
Chatam»
Zainab Hairawi»
Mâdar-e Zâher»
Gulam Hussain»
Telah Mohammed»
Afghan National Orchestra»
Hasan Besmil»
Madar-e Zahir»
Mohammad Hussein and Dost Mohammad»
Sufi Abu Bakr»
Mehri Maftun»
Safdar Tawakuli»
Setara Hussainzada»
Abdul Shâ'er»
Gholâm Nabi Zendadel»
Naabzada/Sakhizada»
Mohammed Naim Mazari and Melang Nejrabi»
Eltaf-Hossein Sarahang»
Parwin»
Mohammad Omar»
Raonaq Massoud»
Salar Nader»
Gada Mohammad»
Daud Khan»
Mohammad Rahim Khushnawaz»
Mohammad Rasul»
Ghulam Hussain»
Quraishi»
Ahmad Zahir»
Les Musiciens du Badakhchan»
Zoland»
The Afghan Music Project»
Mashinai»
Abdul Wahab Madadi»
Zainab Herawi»
Ensemble Kaboul»
Kabul Ensemble»
Nashenas»
Homayun Sakhi»
Khaled Arman»
Bakhtar Ensemble»
Aziz Herawi»
Ustad Rahim Khushnawaz»
The Ensemble of Rahim Takhari»
Shah Gol»
Ahmad Sham Sufi Qawwali Group»
Qais Essar»
Mahwash»
Moussa Kassimi»
Mohammad Hashim»
Mohammad Yusuf»
Afghan Ensemble»
indian classical»
indian violin»
afghan traditional»
alternative dance»
electronic rock»
electropop»
swedish tropical house»
australian electropop»
new rave»
canadian electropop»
neo-synthpop»
solipsynthm»
swedish synthpop»
aussietronica»
cedm»
deep pop edm»
deep dance pop»
electrofox»
australian dance»
swedish synth»
swedish electropop»
covertrance»
electronica cristiana»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,837 genre-shaped distinctions by Spotify as of 2020-01-17. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.