Every Noise at Once · afghan traditional   scan   playlist   intro   pulse   new
Abdul Mazari»
Ostâd Amir Jân Khushnawaz»
Baba Naim»
Sayyid Shâh Ewaz»
Ustad Rahim Khushnawaz, Gada Mohammad & Azim Hassapur»
Rebab and Dhol Duet»
Rahim Takhâri»
Djila»
Sharafoddin»
Telah Mohammed»
Omar Mohamed Ustad»
Aziz Ghaznawi»
Zainab Hairawi»
Lagha»
Mullah Tâj Mohammad»
Party guests at the house of Karim Dutari»
Gulam Hussain»
Hamida Rochshana»
Wedding guests in Kucheh Maktab Ansari»
Farida Mahwash»
Abdurrahmân Saljuqi»
Afghan National Orchestra»
Madar-e Abdul»
Hasan Besmil»
Mâdar-e Zâher»
Mohammad Sâdeq Bolbol»
Chatam»
Gul Mohammad Istalifi»
Shamsuddin Masrur»
Karim Dutâri»
Aziz Gaznavi»
Mohammad Rajab (“Goroghli Khan”)»
Mah Gol»
Madar-e Zahir»
Mohammad Hussein and Dost Mohammad»
Sufi Abu Bakr»
Mehri Maftun»
Safdar Tawakuli»
Setara Hussainzada»
Abdul Shâ'er»
Gholâm Nabi Zendadel»
Naabzada/Sakhizada»
Mohammed Naim Mazari and Melang Nejrabi»
Eltaf-Hossein Sarahang»
Parwin»
Mohammad Omar»
Raonaq Massoud»
Salar Nader»
Gada Mohammad»
Daud Khan»
Mohammad Rahim Khushnawaz»
Mohammad Rasul»
Ghulam Hussain»
Quraishi»
Ahmad Zahir»
Les Musiciens du Badakhchan»
Zoland»
The Afghan Music Project»
Mashinai»
Abdul Wahab Madadi»
Qais Essar»
Zainab Herawi»
Ensemble Kaboul»
Kabul Ensemble»
Homayun Sakhi»
Khaled Arman»
Bakhtar Ensemble»
Aziz Herawi»
Ustad Rahim Khushnawaz»
The Ensemble of Rahim Takhari»
Shah Gol»
Ahmad Sham Sufi Qawwali Group»
Mahwash»
Nashenas»
Moussa Kassimi»
Mohammad Hashim»
Mohammad Yusuf»
Afghan Ensemble»
afghan traditional»
indian violin»
indian classical»
electrofox»
electronic rock»
australian dance»
cedm»
deep pop edm»
canadian electropop»
neo-synthpop»
solipsynthm»
aussietronica»
swedish synthpop»
covertrance»
australian electropop»
deep neo-synthpop»
vocal trance»
alternative dance»
swedish synth»
electropop»
swedish electropop»
swedish tropical house»
electronica cristiana»
@EveryNoise ·  glenn mcdonald
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,506 genre-shaped distinctions by Spotify as of 2019-09-16. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
 
Click anything to hear an example of what it sounds like.
 
Click the » on an artist to go to their Spotify page.